Bethlehem tells the story of the unlikely bond between Razi, an Israeli secret service officer, and his Palestinian informant Sanfur, the younger brother of a senior Palestinian militant. Razi recruited Sanfur when he was just 15, and developed a very close, almost fatherly relationship to him. Now 17, Sanfur tries to navigate between Razi’s demands and his loyalty to his brother, living a double life and lying to both men. Co-written by director Yuval Adler and Ali Waked—an Arab journalist who spent years in the West Bank—Bethlehem gives an unparalleled, moving and authentic portrait of the complex reality behind the news.
Victor Perez was a Jewish boxer who became world flyweight champion in 1931 and 1932, but was transported to Auschwitz concentration camp when Paris fell to the Nazi s in 1943. While there he was forced into slave labour and made to participate in violent boxing matches for the amusement of the Nazi guards. Surviving Auschwitz tells Victors astonishing, harrowing, brutal and incredibly moving true story.
Desperate for companionship, a lonely, young Palestinian-American man agrees to marry an Israeli woman in need of a Green Card, forcing them to re-examine their respective cultural and familial traditions.
Doron, a security operative, who takes on one last mission: to capture, number 3 in the terrorist organization of Hezbollah, in Lebanon. With an elite force, Doron enters Lebanon to complete his last mission. Very soon he discovers that reality is not so simple, and that a new and unknown enemy is to be dealt with – and Hezbollah are the last thing on his mind. Doron has to deal with a ticking clock in the form of extensive I.D.F attack and a bloodthirsty enemy, Now that their enemy has changed its face, it’s up to him and his unit to wage a new war, a different war, to find an antidote, get back across the border, before the middle east conflict is changed forever.
A naive drifter runs away from his army father in hopes of making it on the car racing circuit. In Las Vegas, he meets a young scam artist, who develops a crush on him. He is then introduced to a whole gang led by a young hustler. The racer-to-be then gets a lesson in the wild side, getting involved in one situation after another. Patsy Kensit makes a cameo as another hustler and Daryl Hannah appears as the scam artist’s surrogate mom.
Goldberg is short and thin. He wears glasses. He’s lonely. He’s a mediocre computer programmer that lives in Tel Aviv and spends most of his energy searching online for a girlfriend. His only friend is Audrey, his beloved female dog. Eisenberg is a thug. Tall, fat, approaching middle age and not completely sane. He spends his days slouching around Meir Park, harassing innocent bystanders and doing business with petty thieves and small-time criminals. Unfortunately the two cross paths, and Eisenberg decides that they should start hanging out. But something in his demeanor says that he wants to be much more than just friends…This is a story about random meetings with strangers that lead to anxiety and paranoia. About lonely people in the big city. About losing control.
A group of friends in a Tel Aviv suburb get together to watch Universong, a Eurovision-like television song contest. They gather to watch and are depressed by the lifelessness of the Israeli entry, a parody of many recent offerings, a flashy, grating song about “amour.” Realizing that Anat is distraught over the crisis in her marriage, they decide to compose a song to cheer her up. As a lark, they enters their cellphone video of it in next year’s contest, and it becomes Israel’s entry.
LEMON TREE meets JOHN LE CARRÉ in a subtle thriller set in Germany involving Mona, a Lebanese woman (Golshifteh Farahani), and Naomi, an Israeli Mossad agent (Neta Riskin) sent to protect their informant while recovering from plastic surgery for her new identity. Mona and Naomi – together for two weeks in a quiet apartment in Hamburg. A safe house. A shelter. No one saw what was coming, no one knew that this supposedly quiet fortnight would turn into an abyss and that shelter would need to be found elsewhere. The intimacy of the relationship that develops between the two women is exposed to the threat of terror that is engulfing the world today. In this game of deception, beliefs are questioned and choices are made that are not their own. And yet their fate takes a surprising turn in this suspense-laden, elegant neo-noir.
Away from professional stadiums, bright lights, and manicured fields, there’s another side of soccer. Tucked away on alleys, side streets, and concrete courts, people play in improvised games. Every country has a different word for it. In the United States, we call it “pick-up soccer.” In Trinidad, it’s “taking a sweat.” In England, it’s “having a kick-about.” In Brazil, the word is “pelada,” which literally means “naked”—the game stripped down to its core. It’s the version of the game played by anyone, anywhere—and it’s a window into lives all around the world. Pelada is a documentary following Luke and Gwendolyn, two former college soccer stars who didn’t quite make it to the pros. Not ready for it to be over, they take off, chasing the game. From prisoners in Bolivia to moonshine brewers in Kenya, from freestylers in China to women who play in hijab in Iran, Pelada is the story of the people who play.
When Eyal finishes the week of mourning for his late son, his wife urges him to return to their routine but instead he gets high with a young neighbor and sets out to discover that there are still things in his life worth living for.
A young officer returns to his base after a daring mission. The cook’s assistant, a religious Holocaust survivor, is envious of him. He believes that there is a place in heaven reserved for the brave officer who endangers his life for the sake of his Jewish brethren. The officer, in the spirit of the Zionist ethos, is secular and a non-believer. At the moment, he is so hungry that, for a plate of shaksuka, he is prepared to sign a contract transferring his secured place in heaven to the cook. Some forty years later, the present time of the movie, the tables have turned – the officer, now a retired general, is on his death bed in the hospital. His son who, to his father’s horror, has found religion, is in a race against time. Before his father dies, he has to find that cook’s assistant who, forty years earlier, bought his place in heaven. If and when he finds him, the son has to nullify the contract. If he doesn’t, his father will go to hell.
Morad – a teenager from an Arab village in the north of Israel disconnects himself from humans following a violent attack that he experienced. As a last resort before hospitalization in a Mental Institution, he is taken by his devoted father to be treated with Dolphins in Eilat. Morad starts speaking again after months of silence, but he erases his past and refuses to go home to his awaiting mother. This documentary about the devastating havoc that human violence can wreak upon the human soul, and about the healing powers of nature and of love, was filmed over the course of the past four years.
Filmmaker Talya Lavie steps into the spotlight with a dark comedy about everyday life for a unit of young female Israeli soldiers. The human resources office at a remote desert base serves as the setting for this cast of characters, who bide their time pushing paper, battling for the top score in Minesweeper, and counting down the minutes until they can return to civilian life. Amidst their boredom and clashing personalities, issues of commitment—from friendship to love and country—are handled with humor and sharp-edged wit. In Hebrew with subtitles.
Michal is 32 years old. She became religious 12 years ago, and only now is she getting married. A month before the wedding, while checking out the catering for the event, the groom has a change of heart and the wedding is called off. Michal feels she’s unable to go back to ordinary life, to the usual course of matchmaking. She feels this is the moment to change something very basic in her personality. A simple belief that God is good and sweet; that He wants to give and is only waiting for her to wish it. Michal goes on a month-long journey lasting up to the planned wedding day: “I have the venue, the dress, the apartment; God can easily come up with my groom.”
A man arrives to his house in order to notify his wife that he was leaving her, and steps into his own surprise vows renewal party.
Thomas, a young German baker, is having an affair with Oren, an Israeli married man who has frequent business visits in Berlin. When Oren dies in a car crash in Israel, Thomas travels to Jerusalem seeking for answers regarding his death. Under a fabricated identity, Thomas infiltrates the life of Anat, his lover’s newly widowed wife, who owns a small Café in downtown Jerusalem. Thomas starts to work for her, creating German cakes and cookies that bring her Café to life. Thomas finds himself involved in Anat’s life in a way far beyond his anticipation. To protect the truth he will stretch his lie to a point of no return.
True story of Ashraf Marwan, who was President Nasser’s son-in-law and special adviser and confidant to his successor Anwar Sadat – while simultaneously Israeli Intelligence’s most precious asset of the 20th century. Based on NYT bestselling book ‘The Angel: The Egyptian Spy Who Saved Israel’ by Uri Bar-Joseph.
More than two decades after catapulting to stardom with The Princess Bride, Robin Wright decides to take her final job: preserving her likeness for a future Hollywood. Through a deal brokered by her loyal, longtime agent and the head of Miramount Studios, her digital doppelganger will be controlled by the studio, and will star in any film they want, with no restrictions. In return, she receives healthy compensation so she can care for her ailing son. Twenty years later, under the creative vision of the studio’s head animator, Wright’s double rises to immortal stardom. With her contract expiring, she is invited to speak at Miramount’s “Futurological Congress”. However, a group of terrorists plot an attack on the convention.
A 707 aircraft jetliner on its way from Athens to Rome and then to New York City is hijacked by Lebanese terrorists. The terrorists demand that the pilot take them to Beirut. What the terrorists don’t realize is that an elite team of commandoes led by Major McCoy (Norris) and by Colonel Alexander (Marvin) has been called into service to eliminate all terrorists on the jetliner.
Rachel Singer is a former Mossad agent who tried to capture a notorious Nazi war criminal – the Surgeon of Birkenau – in a secret Israeli mission that ended with his death on the streets of East Berlin. Now, 30 years later, a man claiming to be the doctor has surfaced, and Rachel must return to Eastern Europe to uncover the truth. Overwhelmed by haunting memories of her younger self and her two fellow agents, the still-celebrated heroine must relive the trauma of those events and confront the debt she has incurred.
Jeff Dunham and his iconic creations, Achmed the Dead Terrorist, Walter, Peanut, and Bubba J. have embarked on an unprecedented world tour that has Dunham touching five continents, logging almost 100,000 miles and starring in arenas where few American comedians have dared to perform. Tell the wrong joke in Singapore or United Arab Emirates and risk being handcuffed before you ever leave the stage. Bring Achmed the Dead Terrorist on stage in Malaysia after a government warning forbidding his presence, and you may begin an indefinite vacation in Kuala Lumpur. While Dunham collects and crafts pop culture references that can excite a local audience upon entering each country – Achmed on this trepidation of returning to the Middle East, Walter’s (lack of) understanding of current race relations in South Africa, Bubba J. finding kindred spirits in Australia – Jeff shows that humor is truly universal. Most of the time.
A hardened convict and a younger prisoner escape from a brutal prison in the middle of winter only to find themselves on an out-of-control train with a female railway worker while being pursued by the vengeful head of security.
The movie follows a group of young friends in the city of Tel Aviv and is as much a love song to the city as it is an exploration of the claim that people in Tel Aviv are isolated from the rest of the country and the turmoil it’s going through. The movie looks at young people’s lives in Tel Aviv through the POVs of gays and straights, Jews and Arabs, men and women.
Yitzhak runs the turkey farm his father built with his own two hands after they emigrated from Iran to Israel. When his son Moti turns thirteen, Yitzhak teaches him the trade, hoping that he will continue the proud family tradition. But Moti doesn’t like working in the turkey barn; his passion is fixing up junkyard cars and bringing them back to life. Moti’s mother Sarah tries to reconcile between the two, while his grandfather pushes Yitzhak to take a firm hand with his son. Yitzhak takes Moti’s refusal to work in the turkey barn as a personal rejection. Though he loves his son dearly, he makes it his mission to impose the family farm on Moti. The arrival of Darius, the uncle from America, sets off a chain of events that will undermine the familial harmony. Soon enough Yitzhak will learn that his son is just as stubborn as he is. The conflict is inevitable.
While her mother is away from home, 12-year-old Adar’s role-playing games with her stepfather move into dangerous territory. Seeking an escape, Adar finds Alan, an ethereal boy that accompanies her on a dark journey between reality and fantasy.